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European Athletics and the European Broadcasting Union released guidelines on July 15, 2026, to curb camera angles and replays that sexualize female athletes. The rules advise wider shots and limit close-ups and slow-motion footage lacking technical value. Officials said the measures respond to athlete feedback on discomfort during coverage.
Al JazeeraEuropean Athletics and the European Broadcasting Union introduced guidelines titled “Raising the Bar” on July 15, 2026, to prevent the sexualisation of female athletes through camera angles and replays. @Reuters reported that the document advises broadcasters to avoid prolonged close-up shots of specific body parts, low-angle views filmed from behind or beneath athletes, and slow-motion replays that do not contribute to the understanding of the sporting action.
The guidelines encourage wider camera angles that capture the full scope of an athlete’s movement and performance.
They include animated visuals for high jump, pole vault, long jump, triple jump, and running events, marking “positive” and “negative” angles with checkmarks or crosses. In high jump, the guidelines state that a low camera angle underneath the athlete has a high chance of generating compromising images and that slow-motion replays of the athlete clearing the bar diminish technical insight.
European Athletics President Dobromir Karamarinov stated on Wednesday that the development of filming guidelines is a crucial step toward eliminating harmful portrayals of women in sports while maintaining storytelling and technical excellence.
The measures follow feedback from athletes who said certain camera shots can cause discomfort and distractions by drawing attention away from their performances. Former world long jump champion Ivana Spanovic said broadcasters should use innovative camera angles, including aerial views, and educational graphics to help explain athletic performances.
She added that the sport offers opportunities to showcase technique and the beauty of movement, such as slow-motion shots highlighting technical precision like the take-off moment or the perfect stride.
Glen Killane, executive director of EBU Sport, stated that the sexualisation of women athletes through selective camera angles and editing choices continues to be a significant concern across many sports broadcasts. He noted that lingering shots on bodies, low-angle cameras that capture revealing views, and excessive slow-motion replays that serve no technical or storytelling purpose shape audience perception by diverting attention from the remarkable achievements and technical skills of women athletes.
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