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The International Film Festival of Panama's Su Mirada – Her Gaze program highlights projects by female directors exploring motherhood from non-traditional perspectives. The program includes 15 development entries and three works-in-progress competing for cash prizes. Winners will be announced on April 12, with the WIP winner advancing to the Cartagena Film Festival.
VarietyThe Su Mirada – Her Gaze section at the International Film Festival of Panama focuses on films by female directors.
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This year's entries address motherhood through varied perspectives, including a child's relationship with their mother, a woman's decision not to become a mother, and challenges faced by mothers. The theme emerged organically among submissions, as noted by industry coordinator Cat Caballero. The program divides into development and works-in-progress (WIP) categories.
Development includes 15 projects, with one winner receiving $5,000. The WIP category has three finalists from 10 submissions, with the winner earning $10,000. Deliberations occurred virtually before the festival, which runs from April 9 to 12.
Winners will be announced on April 12 during the closing night.
films compete in the WIP section.
Jurors include Diana Cadavid, programmer for LALIFF and TIFF; Itzel Martínez, filmmaker and head of Ambulante; and Mariana Núñez, visual artist and vice president of communications and culture at Ciudad del Saber, Panama. "Silent Birds" ("Madre Pájaro"), directed by Sofía Quirós Úbeda from Costa Rica and Argentina, follows an eight-year-old boy dealing with his mother's illness in a rural setting.
The film explores grief and family bonds.
It is produced by Sputnik Films, Murillo Cine, and international partners, with a cast led by Oliver Macluf Vargas and Wendy Chinchilla. " — Sofía Quirós Úbeda (Variety) "The Fool and the Moon" ("El Loco y la Luna"), directed and written by Julia Scrive-Loyer from the Dominican Republic and Argentina, depicts a man confronting grief after his mother's death.
The story examines guilt and reconnection with the past.
Produced by Monte & Culebra and Greta Films, it stars José Luis Jiménez, Maia Otero, Carlos García, Vicente Santos, and Judith Rodríguez. "To the Future" ("Al futuro"), directed by Paz Fábrega from Costa Rica, Uruguay, and Spain, blends fiction and documentary to explore the director's experiences with motherhood and creative pressures. Fábrega appears on-screen with her children.
Produced by Temporal Films, La Mayor Cine, and Edna Cinema.
projects are in development, judged by Elena Gonzalez, director at the Cultural Center of Spain; Monica Moya, industry head at Cartagena Film Festival; and Nyra Soberón, actress, director, and acting coach.
"Diaries of Silence" ("Diarios del silencio"), directed by Daniela Muñoz Barroso from Spain and Cuba, is an essay documentary on hearing loss, migration, and motherhood. The director travels from Madrid to Cuba to preserve sounds for her child. Produced by Estudio ST Producciones Cinematográficas, Gris Medio, and Colectivo de Creación Estudio ST, shot in 4K, HD, and 16mm.
"Do Not Leave Your Homeland" ("Ne quittes pas ton pays"), directed by Aliha Thalien from Martinique and France, examines the legacy of France's 1960s Bumidom migration program. It follows a woman returning to Martinique after decades in France. The project uses an ensemble-driven, observational approach across generations.
"Hotel Fung", directed by Carolina Fung from Costa Rica and Panama, is a docu-fiction hybrid on memory, migration, and Chinese Costa Rican heritage. The filmmaker reconnects with her grandparents' lost hotel. Produced by Blue Paradox Films, with potential multi-country co-productions and participation in programs like Ibermedia’s Atitlán Projects.
"Love in the Time of Bacanería" ("El amor en los tiempos de bacanerí a"), directed by Patricia Pepén from the Dominican Republic, follows 17-year-old Zuleika navigating romances and her relationship with her mother in Santo Domingo. The story highlights self-discovery. Produced by Mentes Fritas Producciones, with support from Fonprocine 2025 and SAPCINE.
"Nana, the Songs of Our Grandmothers" ("Nana, los cantos de nuestras abuelas"), directed by Tamara Espinoza from Nicaragua and Panama, documents a 70-year-old Kuna woman singing to restore spiritual balance amid rising sea levels. She searches for an heiress to her territory. Produced by Cinecolibrí and Tecla Films, with discussions for co-production with Ainifilms.
"Paper Tower" ("Torre de Papel"), directed by Laura Garcia Cordon from Guatemala, is set in a courthouse where judges, lawyers, guards, detainees, and a mother seek justice in a fragile system. Time and law blur in the narrative. Details on production are not specified in available reports.
The WIP winner gains entry to Colombia's Cartagena Film Festival (FICCI), running April 14 to 19.
There, the project will receive development support and networking with partners. This alliance between IFF Panama and FICCI fosters regional collaboration.
These outlets didn't split into competing frames — coverage was uniform.
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